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In 2007 was released Tom and Jerry: A Nutcracker Tale featuring Tchaikovsky's music from the ballet as score. In 2010, The Nutcracker in 3D with Elle Fanning abandoned the ballet and most of the story, retaining much of Tchaikovsky's music with lyrics by Tim Rice. The $90 million film became the year's biggest box office bomb.
In The Nutcracker: a Fantasy on Ice, a television adaptation for ice skating from 1983 starring Dorothy Hamill and Robin Cousins, narrated by Lorne Greene, and telecast on HBO, Tchaikovsky's score underwent not only reordering, but also insertion of music from his other ballets and also of music from Mikhail Ippolitov-Ivanov's Caucasian ...
For six decades, the whimsical fairytale story, captivating choreography and, yes, Pyotr Tchaikovsky's now-legendary score have made "The Nutcracker" a holiday favorite for ballet companies across ...
The score received positive critical response, with praise directed on the integration and adaptation of Tchaikovsky's music from the ballet into the film. Zanobard Reviews wrote "The Nutcracker And The Four Realms is a pretty amazing album.
At one point on “Dark Ballet,” Madonna does a spoken word rant about Supreme hoodies over a buzzing synth interpolation of Tchaikovsky’s Nutcracker score.
Original cast in the Imperial Ballet's original production of Tchaikovsky's ballet The Nutcracker, December 1892 "Tchaikovsky was made for ballet," writes musicologist David Brown [4] Before him, musicologist Francis Maes writes, ballet music was written by specialists, such as Ludwig Minkus and Cesare Pugni, "who wrote nothing else and knew all the tricks of the trade."
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos , three of his symphonies and two of his ten operas, are among his most familiar works.
Balanchine adds to Tchaikovsky's score an entr'acte that the composer wrote for Act II of The Sleeping Beauty, but which is now seldom played in productions of that ballet. In Balanchine's Nutcracker, it is used as a transition between the departure of the guests and the battle with the mice. During this transition, the mother of Marie (as she ...
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