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Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.
Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
The art historian Dr. Rosalind McKever has also proposed that Funeral is compositionally similar to Uccello's The Battle of San Romano, noting that, "The clash between the anarchists and the police is compositionally closest to the Uffizi version; the dominance of black and red recalls the Louvre version; and the melee of flag poles, lances and ...
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
For the "Portrait of the composer Gara Garayev", in 1962, Salahov was awarded the silver medal of the USSR Academy of Arts, and in 1968 - the USSR State Prize. The portrait depicts the composer Gara Garayev sitting, grouped as for a tiger's jump, writes the art critic Ekaterina Degot. He is wearing a turtleneck and something like the Soviet ...
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The Constellation of Leo (Italian: La costellazione del leone) is a painting made by Carlo Maria Mariani in 1980–1981. It is a group portrait of prominent people from Italy's art world at the time, including Mariani himself, and has the subtitle The School of Rome (Italian: La scuola di Roma). It contains visual references to ancient ...
Carlo Saraceni (1579 – 16 June 1620) was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968.
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