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Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈ t ɪ ʃ ən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
The Crowning with Thorns is a painting by the Italian Renaissance master Titian (Tiziano Vecellio) done during 1542 and 1543. It is housed in the Musée du Louvre, in Paris. The painting was commissioned by the confraternity of Santa Maria delle Grazie in Milan.
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
The Pastoral Concert or Le Concert Champêtre is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian. [1] It was previously attributed to his fellow Venetian and contemporary Giorgione.
Portrait of Lavinia Vecellio is an oil on wood portrait by Titian, from c. 1545. It is believed to depict his daughter Lavinia. It is believed to depict his daughter Lavinia. It is held in the Museo di Capodimonte , in Naples .
Lucretia and her Husband Lucius Tarquinius Collatinus or Tarquin and Lucretia is an oil painting attributed to Titian, dated to around 1515 and now in the Kunsthistorisches Museum in Vienna. The attribution to this artist is traditional but uncertain - the brightened palette suggests it could instead be by Palma Vecchio .
Titian, portrait of an unknown Knight of Malta, c. 1508, Uffizi. A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, [2] measuring 81.2 by 66.3 centimetres (32.0 in × 26.1 in). [3]
The Ecce Homo Titian finished in the year 1543 for Giovanni d'Anna, a rich Dutch or Flemish merchant settled in Venice, whom Vasari calls "Titian's compare"('gossip'). [2] It was still in the possession of the merchant family in 1580. [3]