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Islamic poetry is different in many ways like cultural, Traditions, Literature, etc. Hashem stated, "Islamic religious poetry has been composed in a wide variety of languages". (Deen) poetry is a very important thing in the Islamic religion because poetry has equality of beauty to the Islamic religion.
Arab poetry influenced the rest of Muslim poetry world over. Likewise Persian poetry too shared its influences beyond borders of modern-day Iran particularly in south Asian languages like Urdu Bengali etc.. Genres present in classical Persian poetry vary and are determined by rhyme, which consists of a vowel followed by a single-rhyming letter.
"[Joel Hayward] is a very skilful and gifted poet whose way with words is impressive. His poems are easy to understand, highly pertinent and equally spiritually profound, that is to say, this collection of poems are much more than poetry; they also provide a powerful commentary on the social, political, moral and religious challenges and difficulties currently facing Muslims and non-Muslims alike.
Pre-Islamic Arabic poetry is a term used to refer to Arabic poetry composed in pre-Islamic Arabia roughly between 540 and 620 AD. In Arabic literature , pre-Islamic poetry was went by the name al-shiʿr al-Jāhilī ("poetry from the Jahiliyyah " or "Jahili poetry").
The quatrains of Rumi: Complete translation with Persian text, Islamic mystical commentary, manual of terms, and concordance, translated by Ibrahim W. Gamard and A. G. Rawan Farhadi, 2008. The Soul of Rumi: A New Collection of Ecstatic Poems, translations by Coleman Barks, Harper One, 2002.
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The first extant written collection of poetry containing pre-Islamic works was by al-Mufaddal ad-Dabbi (d. after 780 AD). His collection included 126 poems, usually involving one or two poems per poet, and was attributed to a number of early Islamic and pre-Islamic figures. 67 poets are represented, only 6 of whom are thought to have been born ...
This form found a specially congenial soil in Lucknow, an important Shia Muslim community in the Indian subcontinent, where it was regarded as an act of piety and religious duty to eulogize and bemoan the martyrs of the battle of Karbala. The genre was championed by Mir Babar Ali Anis.