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The Ancient Greek accent is believed to have been a melodic or pitch accent.. In Ancient Greek, one of the final three syllables of each word carries an accent. Each syllable contains a vowel with one or two vocalic morae, and one mora in a word is accented; the accented mora is pronounced at a higher pitch than other morae.
Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek.This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier.
rough breathing (῾) indicates the presence of the /h/ sound before a letter; smooth breathing (᾿) indicates the absence of /h/. Since in Modern Greek the pitch accent has been replaced by a dynamic accent (stress), and /h/ was lost, most polytonic diacritics have no phonetic significance, and merely reveal the underlying Ancient Greek ...
Ancient Greek in Italy is always [citation needed] taught in the Erasmian pronunciation. However, Italian speakers find it hard to reproduce the pitch-based Ancient Greek accent accurately so the circumflex and acute accents are not distinguished. Poetry is read using metric conventions that stress the long syllables.
This is the pronunciation key for IPA transcriptions of Greek on Wikipedia. It provides a set of symbols to represent the pronunciation of Greek in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
In the polytonic orthography of Ancient Greek, the rough breathing (Ancient Greek: δασὺ πνεῦμα, romanized: dasỳ pneûma or δασεῖα daseîa; Latin: spiritus asper) character is a diacritical mark used to indicate the presence of an /h/ sound before a vowel, diphthong, or after rho.
Unlike Ancient Greek, which had a pitch accent system, Modern Greek has variable (phonologically unpredictable) stress. Every multisyllabic word carries stress on one of its three final syllables. Enclitics form a single phonological word together with the host word to which they attach, and count towards the three-syllable rule.
The most significant changes during the Koine Greek period concerned vowels: these were the loss of vowel length distinction, the shift of the Ancient Greek system of pitch accent to a stress accent system, and the monophthongization of diphthongs (except αυ and ευ). These changes seem widely attested from the 2nd century BC in Egyptian ...
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