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This yields several momentary threshold values. In the following step, mean values are calculated for ascending and descending sequences separately. The mean value will be lower for descending sequences. In case of audiometry, the difference of the means in case of ascending vs. descending sequences has a diagnostic importance.
In underwater diving, ascending and descending is done using strict protocols to avoid problems caused by the changes in ambient pressure and the hazards of obstacles near the surface such as collision with vessels. Diver certification and accreditation organisations place importance on these protocols early in their diver training programmes. [1]
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
In the descending runs, the subject may continue to reduce the level of the sound as if the sound was still audible, even though the stimulus is already well below the actual hearing threshold. In contrast, in the ascending runs, the subject may have persistence of the absence of the stimulus until the hearing threshold is passed by certain amount.
The C major scale, ascending and descending In music theory , a scale is "any consecutive series of notes that form a progression between one note and its octave ", typically by order of pitch or fundamental frequency .
Ascending and Descending by M. C. Escher. Escher, in the 1950s, had not yet drawn any impossible stairs and was not aware of their existence. Roger Penrose had been introduced to Escher's work at the International Congress of Mathematicians in Amsterdam in 1954. He was "absolutely spellbound" by Escher's work, and on his journey back to England ...
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Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms. [1] Christopher Simpson described the figure in his Division Violist: "Sometimes a note is graced by sliding to it from the third below, called an 'elevation', now something obsolete ...