Search results
Results from the WOW.Com Content Network
"Release Me" (sometimes rendered as "Release Me (and Let Me Love Again)") is a popular song written by Eddie Miller and Robert Yount in 1949. Four years later it was recorded by Jimmy Heap & the Melody Masters (in 1953), and with even better success by Patti Page (1954), Ray Price (1954), and Kitty Wells (1954).
"Release Me" (1949 song), written by Eddie Miller and Robert Yount; recorded by many artists "Release Me" (Agnes song), 2008 "Release Me" (Deborah Conway song), 1992
"Release Me" is a pop song recorded by Swedish singer Agnes Carlsson taken from her third studio album, Dance Love Pop (2008). The track was written by Carlsson, Anders Hansson and Sharon Vaughn . It was released as the album's second single in Sweden and as Agnes's debut single internationally.
Edward Monroe Miller (December 10, 1919 – April 11, 1977) was an American country music songwriter, best known for co-writing the song, "Release Me" which has been a hit for numerous artists. Miller also co-founded both the Country and Western Music Academy and the Nashville Songwriters Association International.
"Release Me" is a song written and performed by American pop group Wilson Phillips, released as the second single from their debut album, Wilson Phillips (1990). The song reached number one on the US Billboard Hot 100 in September 1990 and spent two weeks at number one.
"Release Me" is a song by Australian singer songwriter Deborah Conway. It was released as the third single from her debut studio album String of Pearls (1991). It peaked at number 58 in Australia in February 1992. In the following month Conway performed it with Vika and Linda at the ARIA Music Awards of 1992. [1]
The song appears in the opening credits of the 1998 film The Parent Trap. [18] A version by Michael Feinstein is the theme song for season 1 of the series Why Women Kill. In the talent show scene of the 1994 film The Little Rascals, Blake McIver Ewing's Waldo performs the song as a duet with Brittany Ashton Holmes' Darla.
A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die". [8]