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Literary alliteration has been used in various spheres of public speaking and rhetoric. It can also be used as an artistic constraint in oratory to sway the audience to feel some type of urgency, [36] or another emotional effect. For example, S sounds can imply danger or make the audience feel as if they are being deceived. [37]
Old Norse followed the general Germanic rules for alliteration, but imposed specific alliteration patterns on specific verse forms, and sometimes rules for assonance and internal rhyme. For example, drottkvætt ("courtly meter") not only required alliteration between adjacent half-lines, but imposed requirements for consonance and internal ...
Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent lines. Alliteration is used as a mnemonic device to evoke feelings such as fear and suspense in poetry. Assonance–Repeated vowel sounds in words placed near each other, usually on the same or adjacent lines.
Alliteration is usually distinguished from other types of consonance in poetic analysis and has different uses and effects. Another special case of consonance is sibilance, the use of several sibilant sounds such as /s/ and /ʃ/. An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple ...
Since "x" is pronounced [ks], the phrase Sale SaXa Sonābant "the rocks were resounding with sea water" (Virgil) can also be considered an example of this kind. Alliteration was a prominent feature of Latin literature (in contrast to Greek), especially in poetry in the 3rd to 1st centuries BC, and continued to be used by some writers even in ...
The literary critic and rhetorician, I. A. Richards, divides a metaphor into two parts: the vehicle and the tenor. [21] In the following example, Romeo compares Juliet to the sun (the vehicle), and this metaphor connecting Juliet to the sun shows that Romeo sees Juliet as being radiant and regards her as an essential being (the tenor).
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Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.