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In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a full combination of colored inks. To save cost on ink, and to produce deeper black tones, unsaturated and dark colors are produced by using black ink instead of or in addition to combinations of cyan, magenta, and yellow.
In this type of industrial or commercial printing, the technique used to print full-color images, such as color photographs, is referred to as four-color-process or merely process printing. Four inks are used: three secondary colors plus black. These ink colors are cyan, magenta, yellow and key ; abbreviated as CMYK.
An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly. Hence, the general method is sometimes called gray balance, neutral balance, or white balance. Color balance changes the overall mixture of colors in an image and is used for color correction. Generalized versions ...
A single overall colour underlies the image and is most apparent in the highlights and mid-tones. From the 1870s albumen printing papers were available in pale pink or blue, and from the 1890s gelatine-silver printing-out papers in pale mauve or pink were available. There were other kinds of tinted papers as well.
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The CIE 1976 L*, a*, b* color space is sometimes referred to as absolute, though it also needs a white point specification to make it so. [16] A popular way to make a color space like RGB into an absolute color is to define an ICC profile, which contains the attributes of the RGB. This is not the only way to express an absolute color, but it is ...
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The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.