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The Jackson 5 reached number one for the first time in January and by the end of the year had accumulated four chart-toppers.. Billboard published a weekly chart in 1970 ranking the top-performing singles in the United States in soul music and related African American-oriented music genres; the chart has undergone various name changes over the decades to reflect the evolution of such genres ...
Roots is Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield's best works but also as a classic release of the '70s soul era, with Allmusic critic Bruce Eder stating that "the album soars on some of the sweetest and most eloquent... soul sounds heard up to that time".
The first two discs present the A and b sides of every single released in the United States by Presley during the decade, with the following exceptions: "Kentucky Rain" backed with "My Little Friend," and the b-side to "The Wonder of You," "Mama Liked the Roses," recorded in the 1960s; the gospel single "He Touched Me" b/w "Bosom of Abraham," and the gospel b-sides respectively to the singles ...
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
70 "No Time" The Guess Who: 71 "Didn't I (Blow Your Mind This Time)" The Delfonics: 72 "The Wonder of You" Elvis Presley: 73 "Up Around the Bend" Creedence Clearwater Revival: 74 "(If You Let Me Make Love To You Then) Why Can't I Touch You?" Ronnie Dyson: 75 "I Just Can't Help Believing" B.J. Thomas: 76 "It's a Shame" The Spinners: 77 "For the ...
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Soul, R&B, and funk became the predominant music styles among black artists and audiences. Roberta Flack had two of the biggest hits of the decade with "The First Time Ever I Saw Your Face", from the Clint Eastwood film Play Misty for Me; and "Killing Me Softly".
The Blazers’ two highest-paid players, forward Jerami Grant and center Deandre Ayton, are both productive veterans, but neither of them profiles as that kind of organizing principle.
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