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The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards.Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.
The Omnichord Real Book is a 2023 studio album by American musician Meshell Ndegeocello. It was met with acclaim from critics and became the first recipient of the newly created Grammy Award for Best Alternative Jazz Album , at the 66th Annual Grammy Awards .
The Oxford Companion to Jazz. Oxford University Press US. ISBN 0-19-518359-2. Knapp, Raymond (2005). The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0-691-11864-7. Koenig, Karl (2002). Jazz in Print (1856-1929): An Anthology of Selected Early Readings in Jazz History. Pendragon Press. ISBN 1-57647 ...
Jazz-oriented artists who recorded it include Glenn Miller, Judy Garland, Louis Prima and Keely Smith, and the Freddie Slack Orchestra featuring Margaret Whiting on vocals. " There Will Never Be Another You " [ 9 ] [ 13 ] [ 16 ] [ 63 ] [ 64 ] is a song composed by Harry Warren with lyrics by Mack Gordon .
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book. [2] [3] It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932.
Health & Place ] (]]]]) ]]]–]]] Proximity to point sources of environmental mercury release as a predictor of autism prevalence Raymond F. Palmera,, Stephen Blanchardb, Robert Wooda
In most jazz standards, the A-section is used to establish the key, while the B-section has tonal excursions, but in "Introspection", the roles of the sections are reversed. The A-section doesn't land on a stable chord until bar 6 where it lands on D Δ7 , but the B-section establishes D ♭ Δ7 as a new key center.