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A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
Tri means three, pundra means one which is released. There are three horizontal lines of vibhuti (holy ash) on the brow, often with a dot ( bindu ) as the third eye. Holy ash, remains from yagya or sacrificial fire-wood is a reminder of the temporary nature of the physical body and the importance of spiritual attainment and closeness to Shiva ...
A Nepali woman with a tilaka on her forehead. In Hinduism, the tilaka (Sanskrit: तिलक), colloquially known as a tika, is a mark worn usually on the forehead, at the point of the ajna chakra (third eye or spiritual eye) and sometimes other parts of the body such as the neck, hand, chest, or the arm. [1]
To denote marriage and auspiciousness, married Hindu women commonly wear a decorative vermilion dot or bindu, or bindī on the forehead. This is analogous to a wedding ring worn in western countries. In southern India, the mark is called pottu (or bottu).
People dip their thumb or ring finger into the heap and apply it on the forehead or between the eyebrows. In most of India, married women apply red kumkuma to the parting of their hair above their forehead every day as a symbol of marriage. This is called vermilion, or in Hindi, sindoor. In India, many unmarried girls wear a bindi every day.
Women applying sindoor to each other during Durga Puja festival in Kolkata, India. Sindoor is traditionally applied at the beginning or completely along the parting-line of a woman's hair (also called mang in Hindi or simandarekha in Sanskrit) or as a dot on the forehead. Sindoor is the mark of a married woman in Hinduism. [8]
Purple Bindu chakra (may also be red) In Tantra, Bindu (or Bindu visarga—"falling of the drop") is a point at the back of the head where Brahmins grow their tuft of hair.
viseshakacchedya — art of painting the face and body with colored unguents and cosmetics. tandula-kusuma-bali-vikara — art of preparing offerings from rice and flowers. pushpastarana — art of making a covering of flowers for a bed. dasana-vasananga-raga — art of applying preparations for cleansing the teeth, clothes, and painting the body.