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The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war, La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane. Fazzini summarized the action of ...
It is dominated by an 800-quintal (80-tonne) bronze/copper-alloy [3] sculpture by Pericle Fazzini entitled La Resurrezione (Italian for The Resurrection). [4] [5] A smaller meeting hall, known as Synod Hall (Aula del Sinodo), is located in the building as well. This hall sits at the east end on a second floor.
In 1931 he won a competition in Catania to design a monument to cardinal Dusmet; it was never made. In 1932 he took part in a competition for the Pensionato Artistico Nazionale of the Ministero della Pubblica Istruzione , the Italian ministry of arts and education, and with his low-relief Uscita dall'arca ("leaving the ark") won a two-year ...
A child kisses Pope Francis during the weekly general audience in Paul VI hall at the Vatican, August 21, 2024. Last year, Francis stated his desire to simplify the intricate and lengthy funeral ...
Most of the rooms are now used for the Vatican Collection of Modern Religious Art, inaugurated by Pope Paul VI in 1973. The collection includes about 600 accumulated works of painting, sculpture and graphic art; donations of contemporary Italian and foreign artists and includes works by Paul Gauguin, Marc Chagall, Paul Klee, Salvador Dalí, and ...
The Collection of Modern and Contemporary Art is a collection of paintings, graphic art and sculptures in the Vatican Museums.. It occupies 55 rooms: the Borgia Apartment (apartment of Pope Alexander VI) on the first floor of the Apostolic Palace, the two floors of the Salette Borgia, a series of rooms below the Sistine Chapel, and a series of rooms on the ground floor.
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In addition, he removed the coats of arms of the three previous Popes and replaced them with plaques honoring his patron, Pope Paul V. Like all fountains of the time, the fountain on St. Peter's Square had no pumps and operated purely by gravity, with a source of water higher than the fountain which caused the water to shoot upwards.