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The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Melinting is one of the traditional Lampungese dances originating from the Lampung province, Indonesia.The Melinting dance was originally called the Cetik Kipas dance.The name was later replaced with the Melinting dance which refers to the origin of this dance, namely the Melinting area.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Country: Indonesia: Reference: 00617: Region: Asia and the Pacific: Inscription history; Inscription: 2015 (10th session) List: Representative: Wali Sacred Dances (Rejang, Sanghyang Dedari, Baris Upacara), Bebali Semi sacred Dances (Topeng Sidhakarya/Topeng Pajegan, Gambuh dance drama, Wayang Wong dance drama), Balih-balihan Entertainment Dances (Legong Kraton, Joged Bumbung, Barong Ket)
Oleg (Balinese: ᬳᭀᬮᬾᬕ᭄), or also known by its conventional long name Oleg Tamulilingan or Oleg Tambulilingan) is a form of traditional Balinese dance originated from the Indonesian island of Bali which featured unique dance movements that symbolizes the wild life of bumblebees, thus sometimes it is also colloquially known as 'Balinese bumblebee dance'.
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music.It is the 8th melakarta rāgam (parent scale) in the 72 melakarta rāgam system.
Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia.Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1]
Chatravarishach.chhat-Raga Nirupanam authored by Narada (1525-50 AD) lists ten main ragas and accepts the Kambhoji as the spouse of seventh raga called Raga Nata-Narayana. [5] Chaturdandi Prakashika authored by Venkatamakhin (also known as Venkateshwara Dikshit, ~1660 AD) assumes 19 melas and lists the Kambhoji, Kedaragaula and Narayanagaula as ...