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French commode, by Gilles Joubert, circa 1735, made of oak and walnut, veneered with tulipwood, ebony, holly, other woods, gilt bronze and imitation marble, in the Museum of Fine Arts (Boston, United States) A British commode, circa 1772, marquetry of various woods, bronze and gilt-bronze mounts, overall: 95.9 × 145.1 × 51.9 cm, in the Metropolitan Museum of Art (New York City)
Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne style, [5] superseding the previously dominant oak and leading to the era being called "the age of walnut." [6] However, poplar, cherry, and maple were also used in Queen Anne style furniture. [11]
Much like Henri II buffets, French Renaissance wardrobes feature the rich sculptural ornamentation (niches, pediments, pilasters, caryatids, festoane) characteristic of much Renaissance furniture [1] The Henry II style was the chief artistic movement of the sixteenth century in France , part of Northern Mannerism .
The name caquetoire is derived from caqueter, a French term meaning to chat. [1] The chair was thus named the caquetoire as a reference to women sitting and talking. The term may have been early applied to various forms of seat or bench. In 1556 Henri Estienne wrote that Parisian women called their seats at the bedside of a new mother ...
André-Charles Boulle (11 November 1642 – 29 February 1732), [1] le joailler du meuble (the "furniture jeweller"), [2] became the most famous French cabinetmaker and the preeminent artist in the field of marquetry, [3] also known as "inlay". [4] Boulle was "the most remarkable of all French cabinetmakers". [5]
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