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Art music (alternatively called classical music, cultivated music, serious music, and canonic music [1]) is music considered to be of high phonoaesthetic value. [2] It typically implies advanced structural and theoretical considerations [ 3 ] or a written musical tradition. [ 4 ]
Thus in the later 20th century terms such as "Western classical music" and "Western art music" came in use to address this. [33] The musicologist Ralph P. Locke notes that neither term is ideal, as they create an "intriguing complication" when considering "certain practitioners of Western-art music genres who come from non-Western cultures ...
Modal Music – Music that employs modes that differ from conventional major and minor scales, prevalent in Western music before the widespread adoption of the major-minor tonality system. Polytonality – Simultaneous use of two or more tonalities or keys. Atonality – Music without a key or tonal focal point.
Neue Musik (English new music, French nouvelle musique) is the collective term for a wealth of different currents in composed Western art music from around 1910 to the present. Its focus is on compositions of 20th century music.
Picasso, Girl with a Mandolin (Fanny Tellier) (1910), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western hemisphere, such works having achieved the status of classics.
Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity. Aubade – Song or instrumental composition concerning morning love or lovers separating at dawn.
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period , and was followed in turn by the Classical period after a short transition (the galant style ).
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.