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Second person can refer to the following: A grammatical person (you, your and yours in the English language) Second-person narrative, a perspective in storytelling; Second Person (band), a trip-hop band from London; God the Son, the Second Person of the Christian Trinity
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
In linguistics, grammatical person is the grammatical distinction between deictic references to participant(s) in an event; typically, the distinction is between the speaker (first person), the addressee (second person), and others (third person).
“POV” also captions scenes from a second-person perspective. A third form of “POV” is to post from the “viewpoint” of a non-living object. This article was originally published on ...
Multiperspectivity (sometimes polyperspectivity) is a characteristic of narration or representation, where more than one perspective is represented to the audience. [1]Most frequently the term is applied to fiction which employs multiple narrators, often in opposition to each-other or to illuminate different elements of a plot, [1] creating what is sometimes called a multiple narrative, [2] [3 ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Self-insertion can also be employed in a second-person narrative, utilizing the imagination of the reader and his suspension of disbelief. The reader, referred to in the second person, is depicted as interacting with another character, with the intent to encourage the reader's immersion and psychological projection of himself into the story ...
The first person to hear a song now is my wife, Sarah. Then Travis [Harrison], then the band. “Girls of Wild Strawberries” I assume was at least half-concocted while watching the Bergman classic.