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Both the Western Church and its Eastern Catholic counterparts reserve some level of autonomy, yet each also is subdivided into smaller sees (dioceses and archdioceses). The episcopal see of the Pope, the Bishop of Rome, is known as "the Holy See" [9] or "the Apostolic See", [10] claiming papal supremacy.
The Holy See [7] [8] (Latin: Sancta Sedes, lit. 'Holy Chair [9] ', Ecclesiastical Latin: [ˈsaŋkta ˈsedes]; Italian: Santa Sede [ˈsanta ˈsɛːde]), also called the See of Rome, Petrine See or Apostolic See, [10] is the central governing body of the Catholic Church and the Vatican City State. [11]
The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
Opus Sanctorum Angelorum (English: "Work of the Holy Angels"), more commonly known as Opus Angelorum (English: "Work of the Angels"; German: "Engelwerk"), is a movement within the Catholic Church that promotes devotion to angels, based on the alleged private revelations of Mrs Gabriele Bitterlich de.
Jurisdictional authority of particular episcopal sees over others is not necessarily associated with the apostolic origin of the see. Thus, the fourth canon of the First Council of Nicaea of 325 attributed to the bishop of the capital (metropolis) of each Roman province (the "metropolitan bishop") a position of authority among the bishops of the province, without reference to the founding ...
The Living Church, May 4, 2014, 8–11. The Vatican: spirit and art of Christian Rome. New York: The Metropolitan Museum of Art. 1982. ISBN 978-0-87099-348-0. Morgan, David (1998). Visual Piety: A History and Theory of Popular Religious Images. Berkeley, CA: University of California Press. Sauchelli, Andrea (2016).
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Though their development was gradual, it is possible to date the full-blown appearance and general ecclesiastical (as opposed to simply popular or local) acceptance of Christian images as venerated and miracle-working objects to the 6th century, when, as Hans Belting writes, [35] "we first hear of the church's use of religious images".
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