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Mimì si è avvicinata ancor più alla finestra per modo che i raggi lunari la illuminano: Rodolfo, volgendosi, scorge Mimì avvolta come da un nimbo di luce, e la contempla, quasi estatico. Rodolfo: O soave fanciulla, o dolce viso di mite circonfuso alba lunar, in te, ravviso il sogno ch'io vorrei sempre sognar! Entrambi M: Ah, tu sol comandi ...
Coro di ninfi e pastori (Chorus of Nymphs and Shepherds) Viena, Imenco, deh, vieni ("Come, Hymen, o come") Ninfa (Nymph) Muse, onor di Parnasso, amor del cielo ("Ye Muses, the honour of Parnassus, the love of Heaven") Coro di ninfi e pastori Lasciate i monti, lasciate i fonti ("Leave the mountains, leave the fountains")
Giacomo Facco (4 February 1676 – 16 February 1753) was an Italian Baroque violinist, conductor and composer.One of the most famous Italian composers of his day, he was completely forgotten until 1962, when his work was discovered by composer, conductor, and musicologist Uberto Zanolli.
Artaserse is an opera (dramma per musica) in three acts composed by Leonardo Vinci to an Italian libretto by Pietro Metastasio.This was the first of many musical settings of Metastasio's libretto Artaserse.
Armida was written to be performed at the Teatro di San Carlo, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year. Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult coloratura passages of every ...
It was a common practice during Vivaldi's time to compile arias from other composers with one own's work for an opera. Vivaldi himself composed the arias for the good characters and mostly used existing arias from other composers for the villains in this opera. "Sposa son disprezzata" is sung by a villain character, Irene.
La finta giardiniera ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart.Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the Salvator Theater [] in Munich. [1]
Leonora, ossia L’amore coniugale (Leonora or Conjugal Love) is an opera (specifically a dramma semiserio) in two acts by the Italian composer Ferdinando Paer.The libretto, by Giovanni Schmidt, is based on Léonore, ou L'amour conjugal (1794) by Jean-Nicolas Bouilly, which was also the source of Beethoven's Fidelio.