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Rug hooking today has evolved into two genres, which primarily fall into groups based upon the width of the wool strip employed to create a rug: fine hooking and primitive hooking. Fine hooking, in general, uses strips of wool measuring 1/32 to 5/32 of an inch wide.
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
Traditional rug hooking is a craft in which rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage. [2]
His first embroidery designs were primitive, but later, working with his wife Jane, he created a set of wall hangings for his residence in the London suburbs, Red House. One of his designs in this historical style, stitched by Jane Morris, won the Morris company an award in an international competition in 1862.
Kilim are therefore called flatweave or flatware rugs. [1] To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration.
Toward the end of the 19th century, Navajo weavers began to make rugs for non-Native tourists and for export. Earlier Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia, but with some notable differences. In Navajo weaving, the slit ...
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