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In Vajrayana iconography and thangka depictions, dharmapala are fearsome beings, often with many heads, many hands, or many feet. Dharmapala often have blue, black, or red skin, and a fierce expression with protruding fangs. Although dharmapala have a terrifying appearance, they only act in a wrathful way for the benefit of sentient beings.
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Anagarika Dharmapala personally supervised the constructional works. The 200 feet high magnificent temple was opened to public in 1931. Later a reputed Japanese artist Kosetsu Nosu (1885- 1973) [ 12 ] and his assistant undertook the task to decorate the temple walls with fresco paintings famously as the Mural paintings of Mulagandha Kuty Vihara ...
Citipati (Sanskrit: चितिपति), Chitipati or Shmashana Adhipati is a protector deity or dharmapala in Tibetan Buddhism and Vajrayana Buddhism of the Himalayas. It is formed of two skeletal deities, one male and the other female, both dancing wildly with their limbs intertwined inside a halo of flames representing change. [ 1 ]
Reference to a monastery known as Vikramashila is found in Tibetan records. The Pala ruler Dharmapala was its founder. The exact site of this vihara is at Antichak, a small village in Bhagalpur district (Bihar). The monastery had 107 temples and 50 other institutions providing room for 108 monks. It attracted scholars from neighbouring countries.
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A thangka of Palden Lhamo guardian deity of Tawang Monastery, Arunachal Pradesh, India Offerings to the Goddess Palden Lhamo, Tibet.Late 16th Century distemper on cloth, 67 x 44 1/8 in. Palden Lhamo is the principal protectress of Tibet and the only female of the Eight Guardians of the dharma.
Devapala was the third king in the line, and had succeeded his father Dharamapala. [5] His mother was Rannadevi, a Rashtrakuta princess. [6]: 178 Earlier historians considered Devapala as a nephew of Dharmapala, based on the Bhagalpur copper plate of Narayanapala, which mentions Devapala as Jayapala's purvajabhrata (interpreted as "elder brother").