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In Vajrayana iconography and thangka depictions, dharmapala are fearsome beings, often with many heads, many hands, or many feet. Dharmapala often have blue, black, or red skin, and a fierce expression with protruding fangs. Although dharmapala have a terrifying appearance, they only act in a wrathful way for the benefit of sentient beings.
Anagarika Dharmapala personally supervised the constructional works. The 200 feet high magnificent temple was opened to public in 1931. Later a reputed Japanese artist Kosetsu Nosu (1885- 1973) [ 12 ] and his assistant undertook the task to decorate the temple walls with fresco paintings famously as the Mural paintings of Mulagandha Kuty Vihara ...
Citipati (Sanskrit: चितिपति), Chitipati or Shmashana Adhipati is a protector deity or dharmapala in Tibetan Buddhism and Vajrayana Buddhism of the Himalayas. It is formed of two skeletal deities, one male and the other female, both dancing wildly with their limbs intertwined inside a halo of flames representing change. [ 1 ]
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Reference to a monastery known as Vikramashila is found in Tibetan records. The Pala ruler Dharmapala was its founder. The exact site of this vihara is at Antichak, a small village in Bhagalpur district (Bihar). The monastery had 107 temples and 50 other institutions providing room for 108 monks. It attracted scholars from neighbouring countries.
Delgamuwa Raja Maha Vihara (Sinhala: දෙල්ගමුව රජ මහා විහාරය) is an ancient Buddhist temple situated in Kuruvita of Ratnapura District, Sri Lanka. [2] This temple is reputed as the hiding place of the tooth relic of Buddha during the ruling period of Portuguese in the country.
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Anacker (1984: p. 159) in making reference to the works of Dharmapala and Xuanzang, holds that: Perhaps no work of Vasubandhu's has been more consistently misunderstood than The Twenty Verses . It has frequently been used as an authoritative source for opinions that are in fact not even there.