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Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand .
The pungi is played by Jogi in the Thar desert. [11] It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. [12] The instrument has a high, thin tone and continuous low humming. [13] It has been an important instrument in Indian folk culture and is known by various names in different parts of India.
The male participants play musical instruments, such as the pungi, a woodwind instrument traditionally played to capture snakes, the dufli, been, the khanjari - a percussion instrument, morchang, khuralio and the dholak to create the rhythm on which the dancers perform. The dancers are tattooed in traditional designs and wear jewelry and ...
Pungi: पुँगी Snake-charmer's flute a double reed woodwind with two reed pipes (one a drone) attached to small gourd, a mouth-blown air hole at the top of the gourd. Simpler instrument than the bin; it lacks the bin's holes on the drone pipe, for changing scale. Learners may use this before going on to the bin.
Swami is shocked when he learns on his return to the hermitage that the Thanka Sarpam was stolen by Balan while he was away. Swami reaches the guest house and begins playing the makudi or the snake charmer's flute. The Thanka Sarpam leaves the pouch in which it was tied up. Swami forces the snake to bite Balan and Krishnan is unable to save him.
Ali Khan Samsudin, (January 3, 1958 – December 1, 2006 in Kuala Lumpur) was a snake charmer known as Malaysia's "Snake King". He earned the title after living with 400 cobras, for 12 hours a day for 40 days, in a small room in the early 1990s.
Punnagavarali raga is associated with karuna rasa and snakes (naga means snake). Snake charmers play this scale. In wedding ceremonies, a piece called the Odam usually played at the muhurtam, is often in Punnagavarali. This is an ancient raga and traditional Tamil pieces such as Nondichindu are also set in this. [2] [3] [4] [5]
They are further divided into ten sub-groups, some of which are the Brahmin Sapera, Jhinwar Sapera, Soggar Sapera, BihaL Sapera, Nakphule Sapera, and Sandenath Sapera. These divisions are said to reflect the diverse origin of this community, where people of different caste backgrounds took to the occupation of snake charming, and over time ...