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The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
Axioms 1 through 6 were rediscovered by Japanese-Italian mathematician Humiaki Huzita and reported at the First International Conference on Origami in Education and Therapy in 1991. Axioms 1 though 5 were rediscovered by Auckly and Cleveland in 1995. Axiom 7 was rediscovered by Koshiro Hatori in 2001; Robert J. Lang also found axiom 7.
Drawings from a three volume set of wood carvings, Ranma-Zushiki (『欄間図式』, "ranma sketches") published in 1743 by Ōoka Shunboku, featured a colored origami cube. In 1993, Yasuo Koyanagi identified the cube as the Tamatebako, and the model was published in the book "Koten-ni-miri-origami" by Satoshi Tagaki.
A Kunai normally had a leaf-shaped wrought blade in lengths ranging from 20 and 30 cm (7.9 and 11.8 in) and a handle with a ring on the pommel for attaching a rope. The attached rope allowed the kunai's handle to be wrapped to function as a grip, or to be strapped to a stick as a makeshift spear; to be tied to the body for concealment; to be used as an anchor or piton, and sometimes to be used ...
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
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Akira Yoshizawa (吉澤 章, Yoshizawa Akira, 14 March 1911 – 14 March 2005) was a Japanese origamist, considered to be the grandmaster of origami.He is credited with raising origami from a craft to a living art.
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