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" Ja, vi elsker dette landet" (Norwegian: [ˈjɑː viː ˈɛ̂lskə ˈɖɛ̂tːə ˈlɑ̀nːə] ⓘ; lit. ' Yes, We Love This Country ') is the national anthem of Norway. Originally a patriotic song, it became commonly regarded as the de facto national anthem of Norway in the early 20th century after being used alongside "Sønner av Norge ...
In 1925, Nordraak's coffin was brought home to Norway and buried in the Honor Grove at Vår Frelsers gravlund in Oslo. [4] Nordraak did not live long enough to produce much music. About forty compositions, mostly smaller works like songs, pieces for male choir and a few piano compositions, have been preserved.
It quickly gained a reputation as being anti-Danish and revolutionary, and was referred to as "the Norwegian Marseillaise". It was first published in 1782, and was an unofficial national anthem of Norway from then on and beyond. [1]
The lyrics were written by Henrik Anker Bjerregaard (1792–1842) and the melody by Christian Blom (1782–1861), after the Royal Norwegian Society for Development had announced a competition to write a national anthem for Norway in 1819. "Norsk Nationalsang" ("Sønner af Norge") was announced as the winner.
"Kongesangen" ([ˈkɔ̂ŋːəˌsɑŋn̩]; "King's Song") is Norway's royal anthem. [1] The lyrics come in several versions. The first version ("Gud sign vår Konge god, gi ham i farer mod") was written by N. Vogtmann around 1800, but the version used today and quoted below was written by Gustav Jensen for the coronation of Haakon VII and Maud of Wales in 1906 and later used in his Landstads ...
It is a slow movement that introduces a new melody very similar to the theme, but darker. The time changes back to 3 4. Variation IV. The fourth variation is a lively allegro capriccioso. It consists of brisk descending chromatic sixteenth notes, with chords in the left hand, still resembling the harmonic changes in the theme. Variation V.
Rolf Undsæt Løvland (born 19 April 1955) is a Norwegian composer, lyricist, arranger, and pianist. Together with Fionnuala Sherry, he formed the Celtic-Nordic group Secret Garden, in which he was the composer, producer, and keyboardist.
After World War II, Norwegian music began moving in a new direction, away from the Nordic and Germanic ideals of the past, and towards a more international, especially American, British and French, style. Norwegian composers were influenced by a wider variety of styles that included serialism, neo-expressionism, aleatory and electronic music. [1]
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