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The skull was a symbol of melancholy for Shakespeare's contemporaries. [4] An old Yoruba folktale tells of a man who encountered a skull mounted on a post by the wayside. To his astonishment, the skull spoke. The man asked the skull why it was mounted there. The skull said that it was mounted there for talking.
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith.
The subject is holding in its right hand a human skull, echoing the scene in Shakespeare's Hamlet where the Prince of Denmark mourns Yorick ("Alas, poor Yorick! I knew him…"). The chimpanzee cradles its chin with a hand in a contemplative posture. Sitting with its left leg supporting the right, the right leg holds the calipers in its foot.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
In common with his Romantic contemporaries, Hazlitt focuses on how, to communicate the meaning of the play, Shakespeare's imagination, [276] by the medium of poetry, stimulates the reader's or audience's imagination. [277] Several times, Hazlitt observes how Shakespeare by this imaginative construction seemed to become each character in turn.
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Throughout Shakespeare, characters from disparate plays are imagined alongside and interacting with each other. As in The Western Canon , Bloom criticizes what he calls the "school of resentment" for its failure to live up to the challenge of Shakespeare's universality and for balkanizing the study of literature through multicultural and ...