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The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
The starting point for focus stacking is a series of images captured at different focus distances; in each image different areas of the sample will be in focus.
Tone mapped high-dynamic-range (HDR) image of St. Kentigern's Church in Blackpool, Lancashire, England. In photography and videography, multi-exposure HDR capture is a technique that creates high dynamic range (HDR) images (or extended dynamic range images) by taking and combining multiple exposures of the same subject matter at different exposures.
This can be done with two separate side-by-side cameras; with one camera moved from one position to another between exposures; with one camera and a single exposure by means of an attached mirror or prism arrangement that presents a stereoscopic image pair to the camera lens; or with a stereo camera incorporating two or more side-by-side lenses.
Full-spectrum photography is a subset of multispectral imaging, defined among photography enthusiasts as imaging with consumer cameras the full, broad spectrum of a film or camera sensor bandwidth. In practice, specialized broadband/full-spectrum film captures visible and near infrared light, commonly referred to as the " VNIR ".
A 3.5 mm coaxial camera jack named PC terminal, to synchronize external non-dedicated flashes (f.e. studio flashes), found on many more advanced camera models. Also may mean "Perspective Control" for a lens that has the ability to shift to tilt to control linear perspective in an image.
Long-exposure photography captures one element that conventional photography does not: an extended period of time. The paths of bright moving objects become clearly visible—clouds form broad bands, vehicle lights draw bright streaks, stars leave trails in the sky, and water waves appear smooth. Only bright objects leave visible trails ...
Cinematography has the added factors of the movement of the subject, the movement of the camera, and the possibility of zooming in or out. Headroom changes as the camera zooms in or out, and the camera must simultaneously tilt up or down to keep the center of interest approximately one-third of the way down from the top of the frame. [8]