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Diegesis (/ ˌ d aɪ ə ˈ dʒ iː s ɪ s /; from Ancient Greek διήγησις (diḗgēsis) 'narration, narrative', from διηγεῖσθαι (diēgeîsthai) 'to narrate') is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases ...
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
It remains a matter of debate whether and how a non-first-person narrator can be unreliable, though the deliberate restriction of information to the audience can provide instances of unreliable narrative, even if not necessarily of an unreliable narrator. For example, in the three interweaving plays of Alan Ayckbourn's The Norman Conquests ...
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
For example, the American tall tale about Paul Bunyan relies heavily on hyperbole to establish Bunyan's giant stature and abilities. [11] For hyperbole to be effective it needs to be obvious, deliberate, and outlandish. Using hyperbolic speech as a character trait can denote an unreliable narrator.
Born in Spain in the 16th century, the picaresque novel is a type of narrative told in the first person by a lowborn protagonist ("pícaro") in a realistic setting, often with a satiric tone. Plot and character development is limited. Famous examples are Lazarillo de Tormes and Mateo Alemán's Guzmán de Alfarache.
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Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.