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Move over, Wordle and Connections—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity fans can find on ...
Move over, Wordle and Connections—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity fans can find on ...
Strands is an online word game created by The New York Times. Released into beta in March 2024, Strands is a part of the New York Times Games library. [1] Strands takes the form of a word search, with new puzzles released once every day. The original pitch for the game was created by Juliette Seive, and puzzles are edited by Tracy Bennett.
Joining puzzle fans' morning rotations of the crossword, Wordle, and Connections is Strands, the New York Times' latest puzzle. Available to play online, Strands initially looks like a word search.
Manohla Dargis (The New York Times) David Denby (The New Yorker) Alonso Duralde ; Roger Ebert (Chicago Sun-Times, At the Movies with Ebert & Roeper) David Edelstein (New York Magazine, NPR's Fresh Air, CBS Sunday Morning) Glenn Erickson (Online Film Critics Society) Manny Farber (The New Republic, Artforum) Otis Ferguson (The New Republic)
The New York Times has used video games as part of its journalistic efforts, among the first publications to do so, [13] contributing to an increase in Internet traffic; [14] In the late 1990s and early 2000s, The New York Times began offering its newspaper online, and along with it the crossword puzzles, allowing readers to solve puzzles on their computers.
Times’ Games app lets people play some puzzles, like Wordle and Strands, for free. Full access , which includes the Crossword, a few other games and archives, costs $6 per month.
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.