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Margherita Portinari, a banker's daughter of Bruges, [46] wears a green dress laced up the front with a single lace over a dark kirtle. Her hair is worn loose under a black cap with a pendant jewel, Netherlands, 1476–1478. Children's clothing during the Italian Renaissance reflected that of their parents.
Owner Private collection La Bella Principessa (English: "The Beautiful Princess"), also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée , is a portrait in coloured chalks and ink, on vellum , of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. [ 1 ]
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
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The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
A ruff from the early 17th century: detail from The Regentesses of St Elizabeth Hospital, Haarlem, by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central and Northern Europe, as well as Spanish America, from the mid-16th century to the mid-17th century.
Farthingales were bought for children, including Ann Cavendish, the nine year old stepdaughter of Bess of Hardwick in 1548. [13] In 1550, Margaret Willoughby, sister of Francis Willoughby, was bought a red broadcloth petticoat and her "vardingale" was made from buckram and covered with red cloth. [14]
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