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Takka Takka, with its disruption of the primary narrative clause by text focused on absent details about the past or omitted present, is described as "the most unlikely conjunction of picture and story". [8] The work is regarded as one in which Lichtenstein exaggerated comic book sound effects in common pop art style. [9]
Taank Kingdom (also known as Takka [3] [4] [5] or Taki [6]) was a kingdom based in the Punjab from 6th to 10th century CE. [7] The kingdom was located south of Kashmir , north of Sindh and east of Zunbil dynasty , extending from the Indus in the west to the Beas river in the east, centered around modern day Sialkot .
Takka Takka is an American indie rock band from Brooklyn, New York. Performing since 2006, the band's members include Gabe Levine, Conrad Doucette, Rene Planchon and Craig Montoro (formerly of Volcano, I'm Still Excited!!
Takao Yoshida (吉田 貴男, Yoshida Takao) (born October 26, 1973), [1] [2] better known by his ring name Taka Michinoku (Taka みちのく) (stylized as TAKA Michinoku), is a Japanese professional wrestler [7] and former mixed martial artist.
Tikka Khan was born on 10 February 1915 [1] into a Punjabi family of the Janjua Rajput clan [10] in the Jochha Mamdot village of Kahuta Tehsil, Rawalpindi District, Punjab, British India (now Punjab, Pakistan).
The Tankas or boat people are a sinicised ethnic group in Southern China [2] who traditionally lived on junks in coastal parts of Guangdong, Guangxi, Fujian, Hainan, Shanghai, Zhejiang and along the Yangtze river, as well as Hong Kong, and Macau.
Taka Boom is sometimes credited as Takka Boom and is known for her work with DJ/producer Dave Lee, especially in a range of hits under the Joey Negro name. Boom was also a later member of the Norman Whitfield group The Undisputed Truth , and led them on their 1976 disco hit " You + Me = Love ".
AllMusic editor Ryan Randall Goble stated that "this upbeat and fun pop music [is] the clear offspring of early-'90s genre-bending in pop, hip-hop, and alternative". [12] J.D. Considine from The Baltimore Sun mentioned "the cutting critique of consumerism that bubbles beneath the surface", and called it "irresistibly catchy". [13]