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The lengthy full title of both the opera and the poem is The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatyr Prince Gvidon Saltanovich and of the Beautiful Princess-Swan (Russian: Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне ...
Edward Tsanga (Russian: Цанга, Эдуард Николаевич; Syktyvkar, 20 October 1979 – 14 January 2017, Saint Petersburg) was a Russian operatic bass-baritone at the Mariinsky Opera. [ 1 ] [ 2 ] His video recordings include roles in two operas under Valery Gergiev : as the tsar in Rimsky-Korsakov 's The Tale of Tsar Saltan , and ...
The Swan in The Tale of Tsar Saltan by Nikolai Rimsky-Korsakov; Queen of Shemakha in The Golden Cockerel by Nikolai Rimsky-Korsakov; Louise in Betrothal in a Monastery by Sergei Prokofiev; Tatyana in Eugene Onegin by Pyotr Ilyich Tchaikovsky; Nymph in Daphne by Marco da Gagliano; Rosina in Il Barbiere di Siviglia by Gioachino Rossini
Guidon (The Tale of Tsar Saltan by Rimsky-Korsakov) – December 1, 1963; The young actor (October by V. Muradeli) – April 24, 1964; Chekalinsky (The Queen of Spades by Tchaikovsky) – July 23, 1964; Hindu guest (Sadko by Rimsky-Korsakov) – January 8, 1965; Lysander (Midsummer Night's Dream by B. Britten) – December 8, 1965
The Tale of Tsar Saltan, of His Son the Renowned and Mighty Bogatyr Prince Gvidon Saltanovich and of the Beautiful Swan-Princess (Russian: «Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной царевне Лебеди», romanized: Skazka o tsare Saltane, o ...
On this stage, she performed the leading opera parts composed for high soprano (lyrical coloratura soprano), such as Antonida (A Life for the Tsar), The Snow Maiden (Snegurochka), The Swan-Princess (The Tale of Tsar Saltan), Marfa (The Tsar's Bride), the Queen of Shemakha/Shemakhan Tsaritsa (The Golden Cockerel), Violetta (Verdi's La traviata ...
She went on to sing in many notable performances there including the world premieres of Mascagni's Nerone, Franco Vittadini's La Sagredo, the Italian premiere of Rimsky-Korsakov's The Tale of Tsar Saltan and some of the earliest performances Wolf-Ferrari's Sly, Vincenzo Michetti's La Maddalena, and Respighi's La campana sommersa.
The Times wrote of her, following her performance in London of Rimsky-Korsakov's Tsar Saltan in 2008, "The best of the young bunch was Viktoria Yastrebova, whose dark, rich and powerful soprano made one wonder if the phrase “the next Anna Netrebko” might finally be justly deployed." [7]