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Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 28 December 2024. Expansion of the Islamic state (622–750) For later military territorial expansion of Islamic states, see Spread of Islam. Early Muslim conquests Expansion under Muhammad, 622–632 Expansion under the Rashidun Caliphate, 632–661 Expansion under the Umayyad Caliphate, 661–750 Date ...
Islamic Art: Mirror of the Invisible World shows audiences nine countries (Egypt, Israel, Syria, Tunisia, Turkey, Iran, Spain, [8] Mali and India) and over 1,400 years of history. It presents the stories behind many well-known works of Islamic Art and Architecture.
Traditionally speaking in the Islamic empire, Arabic calligraphy was the common form of recording texts. Calligraphy is the practice or art of decorative handwriting. [3] The demand for calligraphy in the early stages of the Islamic empire (circa 7–8th century CE) can be attributed to a need to produce Qur'an manuscripts.
Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds.
African art, Jewish art, Islamic art, Indonesian art, Indian art, [23] Chinese art, Korean Art, and Japanese art [4] each had significant influence on Western art, and, vice versa. [5] Chinese painting is one of the oldest continuous artistic traditions in the world. The earliest paintings were not representational but ornamental; they ...
The hypostyle mosque constructed by Muhammad in Medina served as a model for early mosque design throughout the Islamic world. [10] Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [164] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [165]
His own publications include a history of Islamic art and architecture which has been published in four languages. [18] Khalili has described Islamic art as "the most beautiful and diverse art". [5] His stated aim is to use art and culture "to create good will between the West and the Muslim world." [19]