Search results
Results from the WOW.Com Content Network
Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
Islamic Art: Mirror of the Invisible World shows audiences nine countries (Egypt, Israel, Syria, Tunisia, Turkey, Iran, Spain, [8] Mali and India) and over 1,400 years of history. It presents the stories behind many well-known works of Islamic Art and Architecture.
This is an accepted version of this page This is the latest accepted revision, reviewed on 28 December 2024. Expansion of the Islamic state (622–750) For later military territorial expansion of Islamic states, see Spread of Islam. Early Muslim conquests Expansion under Muhammad, 622–632 Expansion under the Rashidun Caliphate, 632–661 Expansion under the Umayyad Caliphate, 661–750 Date ...
Exhibition "Meisterwerke muhammedanischer Kunst" ("Masterpieces of Muhammadan Art") took place in Theresienhöhe, München since 14 May 1910 thanks to art collector Bavarian crown prince Rupprecht. With around 3,600 objects from more than 260 international collections in 80 halls, [ 1 ] it was the largest exhibition of the Islamic art before WW1.
Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds.
For a long time, Islamic art from outside the Persianate world was considered aniconic in academic research. Known pictures including human figures from the mileu of Muslim courts have been described as an "aberration" by the early 20th-century writer Sir Thomas Arnold (d. 1930).
As the Islamic world extended into centres of late antique culture, it was enriched by philosophical and intellectual movements. The translation of Greek works into Arabic and advances in mathematics and science were encouraged by early caliphates. This is in contrast with the modern perception that Islamic art is dogmatic and unchanging.
His own publications include a history of Islamic art and architecture which has been published in four languages. [18] Khalili has described Islamic art as "the most beautiful and diverse art". [5] His stated aim is to use art and culture "to create good will between the West and the Muslim world." [19]