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A house mouse (Mus musculus). Fear of mice and rats is one of the most common specific phobias.It is sometimes referred to as musophobia (from Greek μῦς "mouse") or murophobia (a coinage from the taxonomic adjective "murine" for the family Muridae that encompasses mice and rats, and also Latin mure "mouse/rat"), or as suriphobia, from French souris, "mouse".
The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
The Review of Japanese Culture and Society is an annual peer-reviewed academic journal covering Japanese art, literature, and society. It publishes English translations of Japanese works and perspectives from both Japanese and international scholars. Each of its annual issues is typically on a special theme, with special editors for the issue.
Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture.
Sushi is an iconic example of Japanese cuisine. Many foreigners assume the Japanese consume sushi on a regular basis, when in fact it is often reserved for special occasions. [2] Additionally, because Japan is one of the few countries that continues to practice commercial whaling, the Japanese are often stereotyped as eating whale and dolphin ...
John Weil Nathan (born March 1940) is an American translator, writer, scholar, filmmaker, and Japanologist.His translations from Japanese into English include the works of Yukio Mishima, Kenzaburō Ōe, Kōbō Abe, and Natsume Sōseki. [4]
Wa (和) is a Japanese cultural concept usually translated into English as "harmony". It implies a peaceful unity and conformity within a social group in which members prefer the continuation of a harmonious community over their personal interests.
The earliest mention of Chūjō-hime and her association with the origin of the Taima Mandala dates back to the thirteenth century in the form of a handscroll painting titled Taima Mandara engi emaki.