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Bárbara Mori Ochoa (Spanish pronunciation: [ˈbaɾβaɾa ˈmoɾjoˈtʃoa]) (born 2 February 1978) is a Uruguayan-born Mexican [1] actress, model, producer and writer. She is known for playing the main character in the 2004 telenovela Rubí , one of the most successful telenovelas of all time. [ 2 ]
Ugly Me (Spanish: Pretendiendo, lit. ' Pretending ') is a 2006 Chilean romantic comedy film directed and written by Claudio Dabed.The film is about a beautiful but romantically disappointed woman named Amanda.
All That Is Invisible (Spanish: Todo lo invisible) is a 2020 Mexican comedy-drama film directed by Mariana Chenillo and written by Chenillo & Ari Brickman. [2] Starring Ari Brickman, Bárbara Mori and José María de Tavira. [3]
Starring Bárbara Mori, Eduardo Santamarina, Jacqueline Bracamontes, Sebastián Rulli and Ana Martín. Canal de las Estrellas aired Rubí from May 17 [2] to October 22, 2004, [3] with Apuesta por un amor replacing it. Univision broadcast Rubí from September 20, 2004 [4] to March 7, 2005, and has named Rubí as the top telenovela of all time. [5]
Cantinflas is a 2014 Mexican biographical comedy-drama film directed by Sebastián del Amo. Based on the life of actor and comedian Cantinflas, the film stars Óscar Jaenada as the title character, Michael Imperioli, Ilse Salas, Bárbara Mori, Ana Layevska and Adal Ramones.
It stars Bárbara Mori as the titular character. The film had a budget of 26 million pesos and was able to raise 136. [2] In October 2018, it was confirmed that the film will have a sequel turned into a spin-off entitled Veinteañera: Divorciada y fantástica and starring Paulina Goto. [3]
A former Playboy model killed herself and her 7-year-old son after jumping from a hotel in Midtown New York City on Friday morning. The New York Post reports that 47-year-old Stephanie Adams ...
La Mujer De Mi Hermano ( "My Brother's Wife") could be considered in a category of films that critic Alissa Quart calls 'hyperlink movies', in which multiple stories take place, each affecting the other in ways that characters are unaware of, all the while using radically different aesthetic and cinematic techniques to define the mise en scène of each storyline.