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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
The alternate mix, which was released on Sketches for Odessa has a different, fuller and more backing track and Barry's vocals on that mix were also the same on the demo and finished version; however, the drums on that version are removed from the final recording of the song. [6]
The song is driven by an electronic drum backing track and contains a laconic beat. [14] [15] On the song, 6ix9ine employs his "usual" braggadocious delivery, [16] with Minaj's lyrics containing sex euphemisms. [17] Minaj explained that she recorded eleven different versions before the song was released in its final form. [18]
The song's origin comes from an underground 12" that was big in clubs in the late 1970s. It used the actual songs, rather than the re-recorded cover versions, with a drum backing. At the end of the underground 12" was the track "Doing It To Death" by the J.B.'s featuring James Brown.
Eric Ambel – guitar; backing vocals on track 16 (2006) Jeff Bannister – piano on tracks 4 and 11; Richard D'Andrea – bass guitar on tracks 3 and 15; Micky Groome – bass guitar on track 12 and 13; Clem Burke – drums on track 12 and 13; Paul Cook – drums on tracks 4 and 11; Joel Turrisi – drums on tracks 3 and 15
The Beatles began recording the song on 29 March 1967, the day before they posed for the Sgt. Pepper album cover. They recorded 10 takes of the song, wrapping up sessions at 5:45 in the morning. [10] The backing track consisted of Starr on drums, McCartney playing piano, Harrison playing lead guitar and Lennon beating a cowbell.
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