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Based on Alexander Pope's work. Originally a masque. 50b Esther: 1 May 1732 King's Theatre, London John Arbuthnot IMSLP. Based on Alexander Pope's work. Contains additions by S. Humphreys 51 Deborah: 21 February 1733: King's Theatre, London Samuel Humphreys: Stanford: 52 Athalia: 10 July 1733 Sheldonian Theatre, Oxford: Samuel Humphreys ...
Choral: 1953: The Monk and His Cat: choral adaptation from Hermit Songs, Op. 29 Choral: 30: 1954: Prayers of Kierkegaard: for soprano, chorus and orchestra: words by Søren Kierkegaard: Choral: 1957–1958: Under the Willow Tree: for mixed chorus and piano: choral adaptation from the opera Vanessa, Op. 32 Choral: 1965: Chorale for Ascension Day ...
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, [1] written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. [ 2 ]
This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories This category has the following 17 subcategories, out of 17 total.
The Skin of Our Teeth (1964): an aborted work from which Bernstein took material to use in his "Chichester Psalms" Alarums and Flourishes (1980): an aborted work from which Bernstein took material to use in "A Quiet Place" Tucker: an aborted concept for a musical version of the 1988 film "Tucker: The Man and His Dream"
Choral K096 – Anthem (The Dove Descending Breaks the Air) 1962: Choral K098 – The Flood: 1963: Opera K101 – Abraham and Isaac: 1963: Vocal K100 – Elegy for J.F.K. 1964: Vocal K102 – Fanfare for a New Theatre: 1964: Chamber K103 – Variations: 1964: Orchestral K104 – Introitus (T. S. Eliot in Memoriam) 1965: Choral K106 – Requiem ...
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A coronation anthem is a piece of choral music to accompany the crowning of a monarch. Many composers have written such works. Being anthems, they are not hymns but textured motets requiring a trained choir. Four familiar coronation anthems are those by George Frideric Handel composed in 1727 for the crowning of George II of Great Britain.
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