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According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
The Sri Yantra in diagrammatic form, showing how its nine interlocking triangles form a total of 43 smaller triangles. In the Shri Vidya school of Hindu tantra, the Sri Yantra ("sacred instrument"), also Sri Chakra is a diagram formed by nine interlocking triangles that surround and radiate out from the central point.
It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer. Sak yant designs are normally tattooed by ruesi , wicha practitioners, and Buddhist monks or Brahmin priests, traditionally with a metal rod sharpened to a point ...
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
It may be a two- or three-dimensional geometric composition used in sadhanas, puja or meditative rituals, and may incorporate a mantra into its design. It is considered to represent the abode of the deity. Each yantra is unique and calls the deity into the presence of the practitioner through the elaborate symbolic geometric designs.
In Hermetic Qabalah, the Tree of Life is a fundamental concept and symbol that represents the structure of the universe and the spiritual and metaphysical path to enlightenment. It is often depicted as a diagram composed of ten interconnected spheres (called sephiroth) and 22 connecting paths, which together form a pattern resembling a tree.
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