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While Dworkin was living in Amsterdam, she met Ricki Abrams, a feminist and fellow expatriate.Abrams introduced Dworkin to early radical feminist writing from the United States, and Dworkin was especially inspired by Kate Millett's Sexual Politics, Shulamith Firestone's The Dialectic of Sex and Robin Morgan's Sisterhood Is Powerful. [1]
About this chapter she reflects on her own theorizing as problematic, existing outside of girls' and women's lived experience: "I think there are a lot of things really wrong with the last chapter of Woman Hating", said Dworkin in an interview with Cindy Jenefsky for her book, Without Apology: Andrea Dworkin's Art and Politics. She identifies ...
Dworkin analyzes (and extensively cites examples drawn from) contemporary and historical pornography as an industry that hates and dehumanizes women. Dworkin argues that the industry is implicated in violence against women, both in its production (through the abuse of the women that are used to star in it) and in the social consequences of its consumption by encouraging men to eroticize the ...
She was also prominent in anti-censorship feminist action late last century, taking on the likes of Andrea Dworkin and Catharine MacKinnon over the legal status and cultural meaning of sexual ...
The march drew between five and seven thousand demonstrators, who marched behind a huge stitched banner reading "Women Against Pornography / Stop Violence Against Women," including Brownmiller, Alexander, Campbell, Mehrhof, Bella Abzug, Gloria Steinem, Robin Morgan, Andrea Dworkin, Charlotte Bunch, Judy Sullivan, and Amina Abdur-Rahman.
The Anti-pornography Civil Rights Ordinance (also known as the Dworkin–MacKinnon Anti-pornography Civil Rights Ordinance or Dworkin–MacKinnon Ordinance) is a name for several proposed local ordinances in the United States and that was closely associated with the anti-pornography radical feminists Andrea Dworkin and Catharine A. MacKinnon.
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My Name is Andrea tells the story of Andrea Dworkin's life through a mixture of archive footage and dramatic performances by five different actresses, representing her at different ages: Amandla Stenberg and Soko play a young Dworkin, interested in poetry and politics; Andrea Riseborough is the wife in Amsterdam; Ashley Judd and Christine Lahti play the older Dworkin as she became a public figure.