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Mary Barton was first published as two volumes in October 1848. [Note 1] Gaskell was paid £100 for the novel. [4] The publisher Edward Chapman had had the manuscript since the middle of 1847. He had several recorded influences on the novel, the most prominent of which is probably the change in title: the novel was originally entitled John ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The story centers on haughty Margaret Hale, who learns to overcome her prejudices against the North in general and charismatic manufacturer John Thornton in particular. Gaskell would have preferred to call the novel Margaret Hale (as she had done in 1848 for her novel Mary Barton), but Dickens prevailed. He wrote in a 26 July 1854 letter that ...
A son, William, (1844–45), died in infancy, and this tragedy was the catalyst for Mrs. Gaskell's first novel, Mary Barton. It was ready for publication in October 1848, [3] shortly before they made the move south. It was an enormous success, selling thousands of copies. Ritchie called it a "great and remarkable sensation."
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
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The album was a commercial success and entered the UK album charts in May 1991, peaking at number 25. [2] At the time, Bassey was 54 years old, becoming "the oldest woman ever to chart an album of new material." [3] The original release was on vinyl, cassette and CD, the CD was issued by Dino Records in the UK and ZYX Records in Germany ...
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