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Petrus Christus, Portrait of a Young Girl, c. 1465–70. 29 cm × 22.5 cm, Gemäldegalerie, Berlin. Portrait of a Young Girl is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. It was completed towards the end of his life, between 1465 and 1470, [1] [2] and is held in the Gemäldegalerie, Berlin. [3]
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
Sources of light are the infant Jesus, the shepherds' fire on the hill behind, and the angel who appears to them. The West adopted many of the Byzantine iconographic elements, but preferred the stable rather than the cave, though Duccio's Byzantine-influenced Maestà version tries to have both. The midwives gradually dropped out from Western ...
After being introduced to Jesus Christ, Mary Magdalene became one of Christ's most devoted followers. Mary Magdalene became a symbol of the sacrament of penance and contemplation. [ 4 ] In Baroque art, Mary Magdalene is usually shown beneath Christ's feet because according to interpretations of the Bible , she was a prostitute who washed Jesus ...
Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
The painting Christ's Appearance to Mary Magdalene after the Resurrection in the State Russian Museum. On 24 September (6 October) 1836, the Imperial Academy of Arts bestowed upon Ivanov the title of Academician in recognition of his painting Christ's Appearance to Mary Magdalene after the Resurrection. The artist himself, who did not aspire to ...
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