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Paul Meyer and Léopold Delisle, in their book L'Apocalypse en français au XIII e siècle (Paris MS fr. 403), 2 vols., Paris, 1901, [1] were the first scholars to try to list, describe and categorize the Apocalypse manuscripts. M. R. James also wrote about illustrated Apocalypse manuscripts in his book The Apocalypse in Art, London, 1931. [2]
Williams, John, Early Spanish Manuscript Illumination New York: George Braziller, 1977. Williams, John. The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse, Volume 1, Introduction. London: Harvey Miller Publishers, 1994.
The developers of Carolingian illumination were the so-called "court school of Charlemagne" at the Palace of Aachen, which created the manuscripts of the "Ada School ." Contemporary was the "Palace School" which was probably based in the same place, but whose artists were from Byzantium or Byzantine Italy .
Images new to Beatus manuscripts found in the Beatus and clearly taken from the León Bible of 960 (or a very similar MS) include a set of Evangelist portraits of a distinctive type, the text and decorative illumination of an extensive genealogy of Christ (over fourteen pages with about 600 names), and a set of images illustrating Jerome's ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 3 January 2025. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. The Last Judgment by painter Hans Memling. In Christian belief, the Last Judgement is an apocalyptic event where God makes a final ...
The Douce Apocalypse is an illuminated manuscript of the Book of Revelation, dating from the third quarter of the 13th century, preserved in the Bodleian Library under the reference Douce 180. The manuscript contains 97 miniatures. It has been called "one of the glories of English thirteenth-century painting". [1]
The Gerona Beatus is a 10th-century illuminated manuscript in the museum of Girona Cathedral, Catalonia, Spain. The manuscript contains two separate works: the Commentary on the Apocalypse by Beatus of Liébana, a late eighth-century work popular in medieval Spain [Notes 1] [1] and Jerome's commentary on the Book of Daniel.
The manuscript is illustrated with 52 surviving miniatures. Of the original illustrations within the commentary, twenty-seven of the original illustrations are left. [1] Compared to other illuminated manuscripts, including other illuminated manuscripts at the time, the Escorial Beatus is slightly smaller in comparison.