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Day dresses had fitted bodices and full skirts, with jewel or low-cut necklines or Peter Pan collars. Shirtdresses, with a shirt-like bodice, were popular, as were halter-top sundresses. Skirts were narrow or very full, held out with petticoats; poodle skirts were a brief fad. Evening dresses were ankle-length (called "ballerina length").
Crinolines were popular throughout the 1950s and into the early 1960s. These were sold in a few clothing stores as late as 1970. The American designer Anne Fogarty was particularly noted for her full-skirted designs worn over crinoline petticoats, which were always separate garments from the dress to enable ease of movement and travelling. [67]
The hem length of a petticoat in the 18th century depended on what was fashionable in dress at the time. [14] Often, petticoats had slits or holes for women to reach pockets inside. [14] Petticoats were worn by all classes of women throughout the 18th century. [15] The style known as polonaise revealed much of the petticoat intentionally. [12]
Brightly colored clothes and accessories became fashionable in the 1950s and the bikini was developed. The main article for this category is 1945–1960 in Western fashion . See also: Category:1950s clothing
Skirts of this era known as circle skirts were supported by layers of petticoats, creating a circular look that accentuated the waist line. Essentially, the petticoat reinforced the femininity of this period. [11] The 1950s woman also tended to be influenced by the fashions worn by movie stars such as Marilyn Monroe and Audrey Hepburn.
Gold lace evening dress illustrating Fogarty's "paper doll" silhouette and worn by the designer to receive an award in Philadelphia, c. 1953 [8] (). While at Youth Guild, Fogarty developed one of her signature looks, the tight-bodied dress with a very full skirt worn over a stiffened nylon petticoat, influenced by Dior's New Look. [9]
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