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The "memos" are lectures on certain literary qualities whose virtues Calvino wished to recommend to the then-approaching millennium. He intended to devote one lecture to each of six qualities: lightness, quickness, exactitude, visibility, multiplicity, and consistency. Though he completed the first five, he died before writing the last. [2]
The book derives its title from Italo Calvino's Six Memos for the Next Millennium, but Eco also cites Calvino's If on a Winter's Night a Traveler as inspiration because the novel "is concerned with the presence of the reader in the story", which was also the subject of the lectures and book.
[14] A fan of Rudyard Kipling's The Jungle Book as a child, Calvino felt that his early interest in stories made him the "black sheep" of a family that held literature in less esteem than the sciences. Fascinated by American movies and cartoons, he was equally attracted to drawing, poetry, and theatre.
Invisible Cities is an example of Calvino's use of combinatory literature, and shows influences of semiotics and structuralism. In the novel, the reader finds themselves playing a game with the author, wherein they must find the patterns hidden in the book.
The Complete Cosmicomics is a 2009 book that collects almost all [1] of the Cosmicomic stories by Italian postmodern writer Italo Calvino. The single volume collection includes the following: The 12 stories that comprise Cosmicomics; The 11 stories that comprise t zero (also published as Time and the Hunter)
Clark and Calvino come to a similar conclusion that when a literary work is analyzed for what makes it 'classic', that in just the act of analysis or as Clark says "the anatomical dissection", [16] the reader can end up destroying the unique pleasure that mere enjoyment a work of literature can hold.
In a 1985 interview with Gregory Lucente, Calvino stated If on a winter's night a traveler was "clearly" influenced by the writings of Vladimir Nabokov. [4] The book was also influenced by the author's membership in the literary group Oulipo. [5] The structure of the text is said to be an adaptation of the structural semiology of A. J. Greimas. [5]
The Canary Prince (Italian: Il Principe canarino) [1] is an Italian fairy tale, the 18th tale in Italian Folktales by Italo Calvino.He took the tale from Turin, making various stylistic changes; he noted it developed a medieval motif, but such tales as Marie de France's Yonec produced a rather different effect, being tales of adultery. [2]