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Half diminished scale: Half diminished scale on C. ... Quarter tone scale C. ... Slendro on C compared to a whole tone scale on C.
Large (Latin: Maxima) / Octuple whole note [3] Long / Quadruple whole note [3] Breve / Double whole note: Semibreve / Whole note: Minim / Half note: Crotchet / Quarter note [4] [5] Quaver / Eighth note For notes of this length and shorter, the note has the same number of flags (or hooks) as the rest has branches. Semiquaver / Sixteenth note
Other relevant features of the piece include the groups of three notes taken from the whole-half diminished scale in mm. 12–18. In these measures, the right hand features D ♭, E ♭, and G ♭, the tetrachord without the 3rd (F). The left hand has the same tetrachord transposed down a tritone (G, A, C).
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12 8 is a compound time type of time signature).
The sequence of intervals between the notes of a major scale is: whole, whole, half, whole, whole, whole, half. where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the figure). [2] Whole steps and half steps are explained mathematically in a related article, Twelfth ...
"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
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