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Poems with a well-defined overall metric pattern often have a few lines that violate that pattern. A common variation is the inversion of a foot, which turns an iamb ("da-DUM") into a trochee ("DUM-da"). A second variation is a headless verse, which lacks the first syllable of the first foot.
The most common metric lengths are the ten-syllable line (décasyllabe), the eight-syllable line (octosyllabe) and the twelve-syllable line . Special syllable counting rules apply to French poetry. A silent or mute "e" counts as a syllable before a consonant, but not before a vowel (where h aspiré counts as a consonant). When it falls at the ...
The stressed syllables are ordered along the same basic hierarchy of the alliteration; it is very rare that a stressed syllable would be a preposition or pronoun. Words such as God, King, and proper nouns are very frequently stressed. After we apply stresses to the appropriate syllables, we must find the unstressed and secondary-stressed syllables.
Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet". Iambic pentameter is the most common meter in English poetry.
Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee –A beat in a poetic line that consists of two accented syllables. It is a poetic form that is less common than other metrical feet.
A line of Anglo-Saxon verse is made up of two half-lines. Each of these half-lines contains two main stresses (or 'lifts'). Sievers categorized three basic types of half-line that were used. Here a stressed syllable is represented by the symbol '/' and an unstressed syllable by the symbol 'x'.
If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of four syllables. This form is also known as common metre. By contrast most hymns in an 87.87 pattern are trochaic, with strong-weak syllable pairs: Love divine, all loves excelling,
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable.
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