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This mouthpiece usually has a deep cup, like that of the flugelhorn, and has a wider inner diameter than a trumpet mouthpiece. These mouthpieces give the mellophone a dark, round sound. Some trumpet players who double on mellophone use a trumpet-style parabolic ("cup") mouthpiece on the instrument, resulting in a much brighter, more trumpet ...
The flugelhorn is generally pitched in B♭, like most trumpets and cornets. It usually has three piston valves and employs the same fingering system as other brass instruments, although four-valve versions and rotary-valve versions also exist. It can therefore be played by trumpet and cornet players, although it has different playing ...
As no instruments from this period are known to have survived, the details—and even the existence—of a Renaissance slide trumpet is a matter of some conjecture, and there continues to be some debate among scholars. [2] Some slide trumpet designs saw use in England in the 18th century. [3]
The Flumpet was designed in 1989 [2] and borrows the three piston valve design of both the trumpet and flugelhorn and shares the same instrument length of a trumpet. The curves on the end of the Flumpet have a resemblance to shepherd's crooks.
The instrument was mainly played in outdoors in regional music of Iran in the festive ceremonies (the Persian poet Molana Rumi mentioned the sorna and dohol in his poems). The Achaemenid sorna was a large trumpet-like instrument, but in later dates was reduced in size, and became more like ( shrill oboe ), or dozale (double oboe), which is ...
Musicians playing the salpinx (trumpet) and the hydraulis (water organ). Terracotta figurine made in Alexandria, 1st century BC Greek warrior blowing a salpinx. A salpinx (/ ˈ s æ l p ɪ ŋ k s /; plural salpinges / s æ l ˈ p ɪ n dʒ iː z /; Greek σάλπιγξ) was a trumpet-like instrument of the ancient Greeks. [1]
Since this still lacks scientific confirmation, rampant speculation continues about potential extra-terrestrial theories for these "trumpet noises." But don't count NASA as a UFO-doubter just yet.
The experimental E ♭ keyed trumpet was not confined to the natural notes, but was chromatic in all registers of the instrument. [11] Before this, the trumpet was commonly valveless and could only play the notes of the harmonic series by altering the lip tension and embouchure, a group of instruments referred to as natural or Baroque trumpets. [9]
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