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Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
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Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...
A man is facing multiple charges after Mississippi police say they found him asleep in a car at a highway intersection with marijuana, a gun and a bottle of alcohol.
During the execution of the Watts Mortuary Chapel, Watts trained workers in clay modelling, an initiative that eventually led to the establishment of the Compton Potters' Guild in 1899. [10] She was a firm believer in the idea that anyone given the opportunity could produce things of beauty and that everyone should have a craft within which ...
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In honor of his late partner, Lynda Cummings, Paul Bibby decorates his house with over 30,000 twinkling lights and 70,000 bulbs. The display includes inflatable festive figures and serves as a ...