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Melody may be characterized by its degree and type of conjunct and disjunct motion. For example, Medieval plainchant melodies are generally characterized by conjunct motion with occasional thirds, fourths, and generally ascending fifths while larger intervals are quite rare though octave leaps may occur between two separate phrases. [4]
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
A melody (from Greek μελῳδία (melōidía) 'singing, chanting'), [1] also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm , while more figuratively, the term can include other musical elements such as ...
2. describes the chords, rhythms, and countermelodies that instrumental players used to support a musician's melody and improvised solos. 3. Ostinato comping (jazz) 1. to comp; action of accompanying. con With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also ...
Because melody is such a prominent aspect in so much music, its construction and other qualities are a primary interest of music theory. The basic elements of melody are pitch, duration, rhythm, and tempo. The tones of a melody are usually drawn from pitch systems such as scales or modes. Melody may consist, to increasing degree, of the figure ...
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
The final track, "Blue 7", is a blues piece, over eleven minutes long. Its main, rather disjunct melody was spontaneously composed. The performance is among Rollins's most acclaimed, and is the subject of an article by Gunther Schuller entitled "Sonny Rollins and the Challenge of Thematic Improvisation". Schuller praises Rollins on "Blue 7" for ...
The Suite of Symphonies for brass, strings & timpani No. 1 (Suite De Symphonies, Première Suite de Symphonies) is a composition by Jean-Joseph Mouret. [1] [2] The first movement of this piece, the rondeau, is widely known and commonly used in weddings, and notably on the PBS program Masterpiece. [3]